"On n'est pas dans le futurisme, mais dans un drame bourgeois ou un thriller atmosphérique"
When Dan, a writer, met Bekah, a potter dedicated to traditional Japanese ceramics, they swiftly fell in love. 'Of all the women I've ever met,' Dan told a friend, 'she's the first one who felt like family.' But while preparing for the birth of their first child at Christmastime, tragedy struck. In prose as unadorned as his wife's pottery, Raeburn recounts their lives as they clashed and clung to each other through a string of unsuccessful pregnancies before finally, joyfully, becoming parents together. Based on Raeburn's acclaimed New Yorker essay, Vessels is an unforgettable love story and a powerful portrait of a marriage cemented by the very events that nearly broke it.
Il n'y a pas encore de discussion sur ce livre
Soyez le premier à en lancer une !
"On n'est pas dans le futurisme, mais dans un drame bourgeois ou un thriller atmosphérique"
L'auteur se glisse en reporter discret au sein de sa propre famille pour en dresser un portrait d'une humanité forte et fragile
Au Rwanda, l'itinéraire d'une femme entre rêve d'idéal et souvenirs destructeurs
Participez et tentez votre chance pour gagner des livres !