"On n'est pas dans le futurisme, mais dans un drame bourgeois ou un thriller atmosphérique"
Joy Williams' peerless short stories are unlike anything else. Her uniquely devastating, emotionally acute, morbidly funny portrayals of modern life have been captivating readers and writers for three decades. Here, for the first time, Williams' thirty-three best stories are available in a single volume, together with thirteen new stories that show a writer continuing to mould the form into something strange and new. Triangulate a patch of uncharted territory between Lydia Davis, Raymond Carver and Don DeLillo, and somewhere there you'll find Williams at work. Real but surreal, bleak but funny, domestic but dangerous, familiar but enigmatic, her stories fray away the fabric at the very edge of ordinary experience to reveal the buzzing, transient, empty loneliness of human life. In 'The Lover', a girl suffers a spiritual and physical wasting away; in 'The Visiting Privilege', a visitor finds refuge in her friend's psychiatric ward; in 'Charity', a woman gives a poor family gas money and finds herself marooned in their peculiar world; in 'Another Season' an itinerant man cleanses an island of roadkill; in 'Craving' an alcoholic couple head towards a car crash. The forty-six flawless stories collected in The Visiting Privilege represent the culmination of Williams' career and cement her place as the most singular artist of short fiction writing today.
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"On n'est pas dans le futurisme, mais dans un drame bourgeois ou un thriller atmosphérique"
L'auteur se glisse en reporter discret au sein de sa propre famille pour en dresser un portrait d'une humanité forte et fragile
Au Rwanda, l'itinéraire d'une femme entre rêve d'idéal et souvenirs destructeurs
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