"On n'est pas dans le futurisme, mais dans un drame bourgeois ou un thriller atmosphérique"
Selected as a winner of the National Poetry Series by Dean Young John Ashbery called Reveilles, Nathan Hoks's debut book, a 'dazzling' collection and Hoks a poet whose 'fine gradations of observation turn the reader into a barometer of strong subtleties like those of the weather, that can be minute even as they affect us powerfully.' The poems in Hoks's new book, The Narrow Circle, perform a similar magic. In associative lyrics and fabulist prose, Hoks explores inner and outer experiences. The poems frequently focus on the body as a membrane where everything becomes inside-out-'where the 'face disperses with angels of teeth and loam,' where 'sky comes out of the mouth,' where a giant green worm 'burrows a hole in the head,' and where the heart is a vestibule that cannot be closed. Suites of pictures within the text further delineate this inward-outward pull, offering visualizations of interior voices and sketches of exterior shadows.
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"On n'est pas dans le futurisme, mais dans un drame bourgeois ou un thriller atmosphérique"
L'auteur se glisse en reporter discret au sein de sa propre famille pour en dresser un portrait d'une humanité forte et fragile
Au Rwanda, l'itinéraire d'une femme entre rêve d'idéal et souvenirs destructeurs
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