"On n'est pas dans le futurisme, mais dans un drame bourgeois ou un thriller atmosphérique"
A little Wink, Flirt and Titter.
Peter Driben's colorful mid-century magazine covers.
His name is less familiar than Vargas' and Elvgren's, but his brilliantly colored voluptuous pin-ups are well known. From 1944 to 1955 he painted the most popular magazine covers in America for Beauty Parade, Wink, Titter, Eyeful, Flirt and Whisper magazines. He was rediscovered in the 1990s as the subject of Taschen's The Best of American Girlie Magazines, and since has decorated T-shirts and coffee mugs, album covers and tattooed tushes. Now his many fans can have over 200 of his original paintings and published covers, from the beginning to the end of his prolific career, in a light, portable and affordable edition
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"On n'est pas dans le futurisme, mais dans un drame bourgeois ou un thriller atmosphérique"
L'auteur se glisse en reporter discret au sein de sa propre famille pour en dresser un portrait d'une humanité forte et fragile
Au Rwanda, l'itinéraire d'une femme entre rêve d'idéal et souvenirs destructeurs
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