"On n'est pas dans le futurisme, mais dans un drame bourgeois ou un thriller atmosphérique"
Dominic Iglesias stood watching while the lingering June twilight darkened into night. He was tired in body, but his mind was eminently, consciously awake, to the point of restlessness, and this was unusual with him. He had raised the lower sash of each of the three tall, narrow windows to its extreme height, since the first-floor sitting-room, though of fair proportions, appeared close. His thought refused the limits of it, and ranged outward over the expanse of Trimmer's Green, the roadway and houses bordering it, to the far northwest, that region of hurried storm, of fierce, equinoctial passion and conflict, now paved with plaques of flat, dingy, violet cloud opening on smoky rose-red wastes of London sunset
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"On n'est pas dans le futurisme, mais dans un drame bourgeois ou un thriller atmosphérique"
L'auteur se glisse en reporter discret au sein de sa propre famille pour en dresser un portrait d'une humanité forte et fragile
Au Rwanda, l'itinéraire d'une femme entre rêve d'idéal et souvenirs destructeurs
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