"On n'est pas dans le futurisme, mais dans un drame bourgeois ou un thriller atmosphérique"
This volume is the definitive account of Tiffany's highly collectible art glass, which he considered his signature artistic achievement. Called Favrile glass - a term presumably coined by Louis Comfort Tiffany himself from the same root as the Latin faber (craftsman, artisan) to underscore its one- of-a-kind quality - every piece was blown and decorated by hand. With a foreword by Alice Cooney Frelinghuysen, curator of American decorative arts at the Metropolitan Museum of Art, and complete with a biography of Louis Comfort Tiffany, a history of the glasshouse and its extraordinary technical innovations, and profiles of the gifted glassworkers and scientists who created these unique masterpieces, as well as never-before-published documents and archival photographs of Tiffany and his family.
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"On n'est pas dans le futurisme, mais dans un drame bourgeois ou un thriller atmosphérique"
L'auteur se glisse en reporter discret au sein de sa propre famille pour en dresser un portrait d'une humanité forte et fragile
Au Rwanda, l'itinéraire d'une femme entre rêve d'idéal et souvenirs destructeurs
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