"On n'est pas dans le futurisme, mais dans un drame bourgeois ou un thriller atmosphérique"
From his first wartime collection evoking a generation's experience of a country made strange by blackouts and air raids, the 'vivid allegorical / Reality of gun and hangar', to the consolatory wisdom of the Last Poems of 1993, Roy Fuller was a poet of the familiar and ordinary made extraordinary. Mundane details, observed with Fuller's tolerant humour and acute eye, reveal depths and dissonances from which a civilised life may be created: the unremarkable year 'of painting the shed ... Is also that of harmonies / That have made one's life and art for evermore off-key'. On the centenary of Fuller's birth, this generous selection, introduced by John Fuller, the poet's son, and with an afterword by Neil Powell, Fuller's biographer, brings to a new generation of readers the work of one of the essential twentieth-century poets. With an afterword by Neil Powell.
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"On n'est pas dans le futurisme, mais dans un drame bourgeois ou un thriller atmosphérique"
L'auteur se glisse en reporter discret au sein de sa propre famille pour en dresser un portrait d'une humanité forte et fragile
Au Rwanda, l'itinéraire d'une femme entre rêve d'idéal et souvenirs destructeurs
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