"On n'est pas dans le futurisme, mais dans un drame bourgeois ou un thriller atmosphérique"
Among the artists who redefined British sculpture in the 1980s, Richard Deacon (born 1949) remains a pioneering figure. This book presents the full range of the artist's oeuvre, from freestanding sculptures and wall-mounted works to glazed ceramics and works on paper. Deacon sidesteps the issue of technique: nails, screws and mounts are not hidden in his sculptures, and willowy bent-wood pieces contrast with carefully engineered constructions in galvanized steel and welded polycarbonate.
Like the tension in so many of Deacon's titles, this book suggests a paradox. As with the whole of the artist's oeuvre, the selection in this book?spanning more than 30 years?is based on contradictions: the tension between a word and its meaning.
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"On n'est pas dans le futurisme, mais dans un drame bourgeois ou un thriller atmosphérique"
L'auteur se glisse en reporter discret au sein de sa propre famille pour en dresser un portrait d'une humanité forte et fragile
Au Rwanda, l'itinéraire d'une femme entre rêve d'idéal et souvenirs destructeurs
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