Dans ce recueil de 13 nouvelles, la jeune autrice mexicaine frappe fort mais juste
A semi-fictional performative account of the lives and archives of a legendary Spanish art collection.
How does a private art collection become public? Who was Hans Heinrich Thyssen-Bornemisza? These questions are at the heart of Cotton under My Feet, a new project by New York-based Lebanese artist Walid Raad (born 1967) conceived for the Museo Nacional Thyssen-Bornemisza, coinciding with the centennial of its original founder.
From the depths of the museum's archives, Raad unearthed fragments of stories, fictional documents and puzzling artifacts. Brought to life through a slippery narrative--a lavishly illustrated performance script forms the centerpiece of the volume--Raad invites readers to follow him into the tunnels of conjecture he has constructed, offering a vertiginous reflection on the potential legacy of the Thyssen-Bornemisza collections and their relation to the histories of Western and non-Western art.
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Dans ce recueil de 13 nouvelles, la jeune autrice mexicaine frappe fort mais juste
Une fiction historique glaçante et inoubliable, aux confins de l’Antarctique
Découvrez les derniers trésors littéraires de l'année !
"On n'est pas dans le futurisme, mais dans un drame bourgeois ou un thriller atmosphérique"