Dans ce recueil de 13 nouvelles, la jeune autrice mexicaine frappe fort mais juste
The volume documents the artistic project conceived by the painter Svenja Deininger (Vienna, 1974) for the Maramotti Collection of Reggio Emilia.
It's a cycle of pictorial works inspired by the work of the Polish artist Wladyslaw Strzeminski, protagonist of the historical avant-garde of the 1920s, of which four paintings of the Muzeum Sztuki of Lódz are documented: in her work, although far from the historical and theoretical point of view, Svenja Deininger recognizes an unexpected formal affinity and a common deep research on the essence of vision and painting.
The compositions of lines and colors of the Austrian artist refer to an abstract dimension, but her imagination draws on a reality of concrete forms and objects, which are transposed and hybridized on the canvas. The flat appearance of the surface of the works is often disrupted by a careful observation which reveals different levels of depth and texture, which the artist obtained by mixing plaster, marble powder or glue with oil colors.
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Dans ce recueil de 13 nouvelles, la jeune autrice mexicaine frappe fort mais juste
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