R.f.e.a n.171, 2022-2

• Date de parution : 06/07/2022
• Editeur : Belin
• EAN : 9782410025705
• Série : (-)
• Support : Papier

• Nombre de pages : (-)
• Collection : (-)
• Genre : Philosophie
• Thème : Sciences humaines (Economie, Psychologie, Politique, Droit, Philosophie, Art,..)
• Prix littéraire(s) : (-)

Émeline Jouve et Xavier Lemoine.

Introduction: Nakedness: the Empty Signifier of Contemporary Bodies in Performance?

Marjorie Heins.

Beyond Sex: Expanding Uses of Nudity in Twenty-First Century American Theatre.

Noelia Hernando-Real.

Disclosing Burlesque: On the Possibilities of... Voir plus

Émeline Jouve et Xavier Lemoine.

Introduction: Nakedness: the Empty Signifier of Contemporary Bodies in Performance?

Marjorie Heins.

Beyond Sex: Expanding Uses of Nudity in Twenty-First Century American Theatre.

Noelia Hernando-Real.

Disclosing Burlesque: On the Possibilities of Satire and the (Fe)Male Gaze in Chicago (1926, 1975, 2002).

Michael Angelo Tata.

Nude Descending a Staircase at the National Endowment for the Arts: A Legal Anatomy of Karen Finley's Constitutional Challenge.

Annette Saddik.

«On Performing Burlesque and Nakedness»: an Interview with Lefty Lucy.

Laura MacDonald.

Bare Broadway Bodies: How Nudity Brought the Gay Community and Broadway Cheek to Cheek.
Raphaëlle Tchamitchian.

«Showing Her Ass Off in Her Iron Cage»: Dis(-re-)membering the Black Female Body in Suzan-Lori Parks's Venus.

Toni Sant.

Nudity in Digital Performance: Reappraising the Early Online Works of Annie Sprinkle and Frank Moore.

Julie Vatain-Corfdir.

Untitled Feminist Show: Nudity as Fluidity.