"On n'est pas dans le futurisme, mais dans un drame bourgeois ou un thriller atmosphérique"
Conceived in close collaboration with the artist, this survey tracks Eliasson's artistic practice from its start in the 1990s to the present - including works completed this year. Through hundreds of illustrations bracketed by writings on and by Eliasson, the book provides an unparalleled overview of his remarkably accessible output, from such large-scale interactive experiences as The Weather Project (2003) at Tate Modern to smaller, more delicate works on paper or made of glass, and includes photography, painting, and film.
Tracks the meteoric rise of Eliasson's career via hundreds of images of sculptures, paintings, photographs, films and installations, architectural projects, interventions in public spaces, and behind-the-scenes studio scenes - each with an extended caption to guide readers through the work - Includes such pivotal artworks as Green River (1998) and Waterfall (2016) at the Palace of Versailles in Paris, as well as many of his lesser- known works - Debuts brand-new projects A View of Things to Come, Glacial Landscape no.8, Reality Projector, and The Unspeakable Openness of Things, installed in Beijing in March 2018 - The ultimate companion to one of the most multi- faceted and influential artists of today
Il n'y a pas encore de discussion sur ce livre
Soyez le premier à en lancer une !
"On n'est pas dans le futurisme, mais dans un drame bourgeois ou un thriller atmosphérique"
L'auteur se glisse en reporter discret au sein de sa propre famille pour en dresser un portrait d'une humanité forte et fragile
Au Rwanda, l'itinéraire d'une femme entre rêve d'idéal et souvenirs destructeurs
Participez et tentez votre chance pour gagner des livres !