Frederic Matys Thursz (1930-1992) continually questioned painting. Following this critical attitude he developed over a period of forty years an impressive oeuvre that experimented with the most diverse techniques, processes, and approaches of painting. His late work in particular responded to the question of what painting can be through the persistent reduction of color and light, pure qualities that draw the viewer's fascinated eye. This publication gathers together more than 120 works of art from both America and Europe, the majority of which are being published for the first time. His endeavors in painting are contrasted to a collection of Thursz's own texts, such as lectures, interviews, and journal entries. Here, special weight is placed on the transcriptions of the series of lectures he gave in 1983 as an instructor at the New York Studio School.
Il n'y a pas encore de discussion sur ce livre
Soyez le premier à en lancer une !
A gagner : des exemplaires de cette BD jeunesse sur fond de légendes celtiques !
L'autrice coréenne nous raconte l'histoire de son pays à travers l’opposition et l’attirance de deux jeunes adolescents que tout oppose
Mêlant la folie à l’amour, l’auteur nous offre le portrait saisissant d’une « femme étrange » bousculant les normes binaires de l’identité sexuelle
Dans ce recueil de 13 nouvelles, la jeune autrice mexicaine frappe fort mais juste
