"On n'est pas dans le futurisme, mais dans un drame bourgeois ou un thriller atmosphérique"
The question of endings haunts human beings across all their endeavors, which is why the idea of finitude has been a topic of philosophy since its very inception. How to finish a work, how to conclude a relationship, how to die--these are interrelated questions that challenge aesthetics, morality and existence. Cabinet 68, with a special section on "The End," includes Aaron Schuster on the theoretical framework of the romantic breakup; Jeff Dolven on objects such as pencils or filterless cigarettes that serve as their own handles and can therefore not be used to the very end; and Shireen Brooke on Balzac's "The Unknown Masterpiece" and the philosophy of the unfinishable. Elsewhere in the issue: Femke Herregraven on how the minute lags produced by the material infrastructure of the internet is exploited in high-frequency trading; Sasha Archibald on the influence of the Technicolor corporation's Color Advisory Service on the history of cinema; and Benjamin Breen on British mathematician and Futurian Richard Medhurst and his role in debunking the work of the Society for Psychical Research.
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"On n'est pas dans le futurisme, mais dans un drame bourgeois ou un thriller atmosphérique"
L'auteur se glisse en reporter discret au sein de sa propre famille pour en dresser un portrait d'une humanité forte et fragile
Au Rwanda, l'itinéraire d'une femme entre rêve d'idéal et souvenirs destructeurs
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