"On n'est pas dans le futurisme, mais dans un drame bourgeois ou un thriller atmosphérique"
Across fields as disparate as historiography, psychiatry and anthropology, remembering was long considered primary and forgetting simply a malfunction of recall. But after figures such as Nietzsche and Freud, the act of forgetting has undergone a wholesale reevaluation; for many modern thinkers, active forgetting is the precondition for living. Cabinet issue 42 features Jennifer J. Almontez on Greek orators' mnemonic system of creating vast «memory palaces»; Chip Chapman on forgetting and the creation of national myths; Sophia Hall on animal memory and obedience training methods; an interview with Jean-Yves Le Naour on the story of Anthelme Mangin, France's best-known WWI amnesiac; and a portfolio featuring artist-designed monuments to forgetting. Elsewhere in the issue: Brigid Doherty on British analyst Wilfred Bion's notation for the unknown; Allen S. Weiss on the dance macabre; Erica Owen on the relationship between nineteenth-century racial theories and the creation of the modern valuation system for «precious» and «semi-precious» stones; and much more.
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"On n'est pas dans le futurisme, mais dans un drame bourgeois ou un thriller atmosphérique"
L'auteur se glisse en reporter discret au sein de sa propre famille pour en dresser un portrait d'une humanité forte et fragile
Au Rwanda, l'itinéraire d'une femme entre rêve d'idéal et souvenirs destructeurs
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