"On n'est pas dans le futurisme, mais dans un drame bourgeois ou un thriller atmosphérique"
Can human creativity triumph over human destruction? Germany, 1945 Monuments Man John Skilton arrives in the bombed-out city of Würzburg with orders and a personal mission to rescue art from the ravages of war. Among the ruin, he discovers a series of magnificent frescoes that have miraculously survived the devastation. But who painted them? More importantly, how will Skilton save them from total destruction? The answers will bring him face to face with the Tiepolos: Giambattista, the Venetian painter whose vibrant, witty style catapulted him to fame in the 18th century and made him the most successful painter if his day. And Cecilia, his beautiful, clever wife, mother to their tribe of talented children and the model for the lush, leonine beauties that appear everywhere in her husband's works. Set largely against the background of the Venetian Republic in its final flowering, this is the true story of a family that lives, loves and dies by painting, revealing the human passion and hard-nosed business dealing that lie just beneath the surface of some of the world's most heavenly works of art. And it tells the story of a modest curator-turned-soldier whose struggle to save Tiepolo's masterpiece is itself an act of creativity, one that turns him into a new kind of hero for our times.
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"On n'est pas dans le futurisme, mais dans un drame bourgeois ou un thriller atmosphérique"
L'auteur se glisse en reporter discret au sein de sa propre famille pour en dresser un portrait d'une humanité forte et fragile
Au Rwanda, l'itinéraire d'une femme entre rêve d'idéal et souvenirs destructeurs
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