"On n'est pas dans le futurisme, mais dans un drame bourgeois ou un thriller atmosphérique"
The abandoned and forgotten landscapes of rural southwestern towns are the favoured subjects of Rod Penner's paintings. The artist's keen eye combines photojournalism and photorealism to create images of small-town America. His deft use of contrasts in his images - despondency and hope, isolation and nostalgia - evokes memories of The Last Picture Show and elicits complex responses from viewers. "I'm interested in the look of things and the quality of being there," he says. "A moment that is completely frozen with all the variety of textures; rust on poles, crumbling asphalt, light hitting the grass." Penner's works are based on his photographs, digital video stills, and his experience of the rural landscapes of Texas and New Mexico. He depicts desolate, often deserted locations, the character of old houses and abandoned buildings, weather, and unique geography. His chosen scenes are infused with a cinematic quality that is the result of the exquisite light that he captures with his meticulous process. "The finished paintings should evoke contrasting responses of melancholy and warmth, desolation and serenity," he says.
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"On n'est pas dans le futurisme, mais dans un drame bourgeois ou un thriller atmosphérique"
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