"On n'est pas dans le futurisme, mais dans un drame bourgeois ou un thriller atmosphérique"
Everyone knows about Virginia: about her stellar reputation as a gynaecologist; about her commitment to her women patients. But does anyone know about the knives? Everyone knows about Faisal too: about his gentle charm and his delight in his family; about his brilliance in the operating theatre. But does anyone know he's a traitor? And Gilda - everyone knows about Gilda: knows that she never poops a party; that she struts about town with her cackling posse; that she's a loyal friend. But does anyone know about the rubber? But there's someone who really does know Virginia, who knows all about her because they've been this close from birth. Someone who knows what she does when they're alone together. What they do with the rosewood box. With the belts. Who knows that good doctors can go bad. Just as she did in Monster Love, her brilliant debut about a horrible crime in a harmless setting, Carol Topolski goes behind the busy routine of a hospital to build a dark, compelling portrait of a good, upright life going horribly wrong...
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"On n'est pas dans le futurisme, mais dans un drame bourgeois ou un thriller atmosphérique"
L'auteur se glisse en reporter discret au sein de sa propre famille pour en dresser un portrait d'une humanité forte et fragile
Au Rwanda, l'itinéraire d'une femme entre rêve d'idéal et souvenirs destructeurs
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