L'autrice coréenne nous raconte l'histoire de son pays à travers l’opposition et l’attirance de deux jeunes adolescents que tout oppose
The power of Sabahattin Ali comes from beyond his words. It is his sense of observation, insight and commitment to fight for a fairer society that have carried his voice into the modern day.
The four tales in this book - Death of the Giants, A Tale of Love, A Tale of Sheep and The Glass Pavilion - were compiled and published in Sirça Ko?k [The Glass Pavilion] in 1947. At the time Sabahattin Ali penned these tales, the young Turkish Republic was still struggling to establish a proper democracy with one sole party in parliament. In 1948 the Turkish Council of Ministers decided to ban Sirça Ko?k, and all remaining copies were swiftly confiscated. Even after his death, the words of Sabahattin Ali were deemed as a governmental threat and for decades publishers were reluctant to print his work.
Almost eighty years later, these political and social tales remain just as poignant. Does this showcase Sabahattin Ali's visionary spirit or a general lack of vision within our societies?
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