According to the Oxford English Dictionary, personification is the representation 'of a thing or abstraction as a person.' In Neeta Madahar's new series of allegorical portraits 'Flora,' the traditional procedure of personification is reversed: here, actual women appropriate imagery stretching back to antiquity to fashion an empowering public persona. A favorite subject of Renaissance and Baroque painters, Flora was traditionally depicted as a young woman surrounded by reveling devotees bearing floral tributes. Madahar, however, presents us with a different Flora. Her immediate inspiration was not Botticelli but the stylized portrait photography of the 1930-50s including that of Cecil Beaton, Angus McBean and Madame Yevonde. These are images of real women whose bodies and comportment exemplify a willful sense of self-possession won through lived experience. Printed in process color on matt art paper, and opening with an insightful essay by Allan Doyle, this beautifully-produced artist's book is bound in French suede covers in a first edition of 1,000 copies.
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"On n'est pas dans le futurisme, mais dans un drame bourgeois ou un thriller atmosphérique"
L'auteur se glisse en reporter discret au sein de sa propre famille pour en dresser un portrait d'une humanité forte et fragile
Au Rwanda, l'itinéraire d'une femme entre rêve d'idéal et souvenirs destructeurs
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