Ana knows little about her birth mother: she knows that she gave Ana away. She has a photograph, too, found in her Father's belongings when she was a teenager. It might be her mother, but there are two women in it and she doesn't know whether it is a clue or not. She also knows her mother's name, but Solange Mendes is a common name in Angola, so it, like Ana, could belong to anyone. The only thing she knows for sure is that now Helena, her Father's wife and the woman who brought her up in Lisbon, is dead, she must find Solange.
Luanda, Angola, is a long way from Ana's adopted home in Dublin, but she knows it's the only place to begin her search, so she visits her brother, Tiago, and his family, so frozen by the project ahead of her that she makes no plans, has no ideas, and doesn't even confess to him her real reasons for the trip.
As the narrative switches between Ana's search and Helena and Jose's relationship, beginning with their first meeting in a cafe in 1960s Lisbon, Walking On Dry Land builds a delicate portrait of how a family secret can lie undisturbed for a lifetime.
Il n'y a pas encore de discussion sur ce livre
Soyez le premier à en lancer une !
A gagner : la BD jeunesse adaptée du classique de Mary Shelley !
Caraïbes, 1492. "Ce sont ceux qui ont posé le pied sur ces terres qui ont amené la barbarie, la torture, la cruauté, la destruction des lieux, la mort..."
Chacune des deux demeures dont il sera question est représentée dans le sablier et le lecteur sait d'entrée de jeu qu'il faudra retourner le livre pour découvrir la vérité. Pour comprendre l'enquête menée en 1939, on a besoin de se référer aux indices présents dans la première histoire... un véritable puzzle, d'un incroyable tour de force
Sanche, chanteur du groupe Planète Bolingo, a pris la plume pour raconter son expérience en tant qu’humanitaire...
