Harland Miller's creativity as both artist and novelist culminates in his iconic paintings of battered book covers with cleverly invented titles. Initially appropriating the classic Penguin paperback before devising his own unique designs, Miller combines aspects of pop art, abstraction, and figurative painting to create highly coveted artworks that have won him a cult following. This monograph covers nearly 20 years of his paintings, and features newly commissioned essays by eminent art writers exploring different aspects of his practice.
- Yorkshire-born Harland Miller has exhibited at ICA, White Cube, and Royal Academy in London;
BALTIC Centre for Contemporary Art, Gateshead;
And Kunsthalle, Mannheim, and Blain Southern, Berlin. Michael Bracewell is a British novelist, critic, curator, and cultural commentator. Martin Herbert is a Berlin-based writer and critic.
Catherine Ince is senior curator for V&A East, and was previously curator at the Barbican, London.
Key Selling Points - An overdue monograph surveying two decades of painting by the ever-popular artist Harland Miller, featuring many of his iconic Penguin paintings as well as previously unpublished new artworks - Illustrated chronology with photographs and ephemera from the artist's personal archive - Highly collectible: the book will be published with two different covers created from paintings to be specially created by the artist for this book - Superb production values, including printed book-block edges that replicate a three-dimensional painted canvas - Will appeal to both existing fans of Miller's work and a wider audience, including those with interests in graphic design and urban art
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